Fashion & TextilesGrade 12 · Studio
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Level 1 · Foundation

Unit 8: Sustainability, Ethics, Repair, and Cultural Respect

Fast-fashion impacts, life-cycle thinking, repair, and cultural respect.

Length

2 weeks

Unit Description

Students examine fashion's environmental and social impacts, including fast fashion, labour, waste, repair, reuse, and cultural appropriation. They complete a repair, redesign, or upcycle project that extends the life of an existing textile item.

Historic Notes

For much of history, cloth was valuable and clothing was repaired, resized, handed down, and remade. Industrialization and globalization made clothing cheaper and faster to produce, but often at the cost of worker safety, environmental health, and overconsumption. Indigenous textile and clothing practices are diverse and connected to land, community, materials, knowledge, identity, and protocol.

Contemporary Uses

Sustainable fashion includes repair, resale, redesign, rental, circular design, fibre recycling, local production, ethical sourcing, transparent supply chains, and slower buying habits. Many designers now build collections from deadstock, upcycled garments, and low-waste cutting.

Learning Targets

  • I can explain life-cycle impacts of a garment.
  • I can repair or redesign an existing textile item.
  • I can make cost-aware and waste-aware choices.
  • I can discuss cultural respect and appropriation with care.
  • I can connect design choices to community responsibility.

Key Notes

Life-Cycle Thinking

Consider:

  • Raw materials.
  • Farming/extraction.
  • Processing and dyeing.
  • Labour and manufacturing.
  • Shipping and packaging.
  • Use, washing, repair.
  • Disposal, reuse, resale, recycling.

Indigenous Respect In This Course

Chilliwack is in Stó:lō territory. In fashion class, respect means learning that textile/clothing knowledge belongs to people, families, and communities. Students may study broad ideas such as protocol, relationship to land, material respect, and anti-appropriation. Students should not reproduce protected designs or present Indigenous-inspired work as their own identity.

This unit connects to the First Peoples Principles of Learning (FPPL):

  • Learning is embedded in memory, history, and practice — textile knowledge is passed through generations and practice, not copied from an image.
  • Learning takes patience and time — skill and relationship are built slowly, like good construction.
  • Learning is relational and connected to place — materials, knowledge, and design relate to land and community.
  • Learning recognizes the role of Indigenous knowledge — which is owned by people and communities and shared on their terms.

If local Stó:lō knowledge keepers or artists are involved, follow school and district protocols, compensate guests where possible, and let local guidance shape the activity. See https://www.fnesc.ca/first-peoples-principles-of-learning/.

Hands-On Assignment: Extend the Life Project

Task

Choose one:

  • Repair a damaged garment.
  • Redesign a thrifted garment.
  • Convert textile waste into a useful item.
  • Create a visible mending sample and apply it to a garment.

Students must document the original item, problem, plan, cost, construction steps, and life extension.

Cost

Very low to low. Target cost: $0-$10.

Worksheet

  1. Choose a garment you own. Map its life cycle.
  2. What is one environmental issue connected to textile production?
  3. What is one labour issue connected to fast fashion?
  4. What is the difference between appreciation and appropriation?
  5. Plan a repair or redesign. What will it cost?
  6. How will your project reduce waste?

Quiz/Test

  1. Define fast fashion.
  2. Name two ways to extend a garment's life.
  3. What does life-cycle design consider?
  4. Why is cultural permission important?
  5. Explain one tradeoff between low cost and sustainability.
  6. Scenario: A brand uses sacred imagery on a jacket without permission. Identify the issue.

Answer key: Accept reasoned answers; scenario issue is cultural appropriation/misrepresentation/lack of permission.

Rubric

CriteriaEmergingDevelopingProficientExtending
Waste reductionLimitedSome reuseClear life extensionCreative, practical, high-impact reuse
ConstructionFragileFunctionalDurable and cleanRefined and well integrated
Ethics understandingMinimalBasicClear and respectfulNuanced and locally aware
DocumentationSparseBasicComplete before/after/processStrong visual and written evidence

References and Further Learning

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